I saw a girl on the subway a few weeks ago. She was pretty, she had a scarf, and she was standing next to me. I open her by saying, “Nice scarf,” and she responded ,“You too.” We got to talking, the conversation was fun, but I could tell she was in her head. So what do I do? I recite a poem from my favorite West African poet.
Now I don’t know any West African poets, nor do I know any West African poems, and I definitely don’t speak Swahili, but I thought I would have fun and experiment with this interaction. So I recite a poem in a made up language on the spot and then translate it. She was blown away; her face was like “Did that really just happen?”, and when I told her that I had made all of that up, she burst into a huge fit of laughter. All of a sudden, she was out of her head and into the interaction. I would have never tried something like that if I hadn’t learned it in improv class the day before.
Now I am not saying reciting poems to girls in gibberish is the answer. What I am saying is that there are a lot of principles in improv that you can apply to seduction. This post will start with some of the philosophical underpinnings of improv that will help you with game, and then I will write about some exercises that you can do infield to warm up.
SHOW COMMENTS (5)