Hey guys, so today I will finally share a report in which I cover an
interaction from meet to lay. Many guys have requested this from me
lately, so here it is. Sorry for the delay; the reason I have delayed
this report is because I really wanted to finish my series on
non-verbal seduction, and then submit a report that
illustrates how
many of the tools shared in the series are applied. This way you can
see how everything works when put together while also having the
necessary in depth knowledge of the concepts being applied.
This report will cover a non-verbal seduction. It will be pretty
obvious why I chose this path in the report. It was overall a smooth
seduction with a pretty tall Swedish blond girl. That being said, I
love a wide range of women, and this girl represents just one of the
many types I like.
I’ve done enough hooking up with girls in places where I’ve had
housemates, or even full-on roommates (i.e., someone who sleeps in the
same room as you). While I usually prefer to have my own place or go to
the girl’s place, it’s been my experience that roommates can actually
make it easier for you to
sleep with new women... I’ll tell you the reasons why in just a minute.
Caveat: this entire article
is predicated on you not having totally lame cockblock roommates. If your
roommates are lame pricks who don’t get laid and want to do everything
in their power to make sure you don’t get laid either, then either
change your living situation, or get good at going back to girls’ places or sleeping with girls in less conventional
settings.
Assuming your roommates are at least marginally cool people whom we
can get to play along with helping their bro get a new girl in the sack
(or at least, they’re folks we can get to not interfere), let’s examine
some strategies to help you bed babes in spite of your living situation.
Once you’ve built some sexual tension, what do you do with it?
Well, using high notes, and 3 types of make-out, you escalate to sex.
Hello there. Today’s goal is to wrap up this 7-part series on sexual
tension, which I hope you have enjoyed. This will also be the closing
post of my bigger “non-verbal seduction” series, of which the sexual
tension topic was a part. If you are only just now joining us, here are
parts one through six:
Now, I would like to make the following clear: yes, I am closing off
this series, but this does not mean I will no longer be discussing the
non-verbal aspects of seduction in the future. Quite the contrary; you
can count on more to come.
So, today we will discuss the closing, or rather, the final touch
before you go in for the pull (i.e., tips on extracting her from the
venue back to your place). In other words, we will discuss the final
push. Along the way, I will share a few very cool and powerful
escalation moves that didn’t make it in other posts so far. So, even
though this post will have a main topic, some practical bonus nuggets
will be added.
Welcome back to another edition of the Girls Chase Dating Mechanics
Podcast. In this episode, I interview Pablo Garcia, Girls Chase
contributor and winner of a seduction community contest for the seducer
who could be the most new girls in a single year. In this podcast,
Pablo gives you an incredible array of ways to touch women that turn
Women use ambiguity for three (3) reasons: to expose a man’s true
colors, to retain room to maneuver, and to preserve their social
reputations.
Maybe an hour ago, I finished reviewing a lesson from The Dating
Artisan, part of my upcoming master class on succeeding with women. For
each of these videos, I have to review once to make sure there’s
nothing that snuck in we should edit out (our DoP’s toes sneaking into
the frame have been a constant annoyance), as
well as to add text and citations I want added. Then I have to review
the
final video a second time to make sure everything checks out. Each of
these videos is
around 50 minutes long on average, and there are about 50 of them... so
you can imagine why it’s taking me so long (that, and that we still
need to build the site / file delivery system / etc. for this thing).
Anyway, at multiple points in this lesson, our actress on the shoot
claims she would not like if a guy did something to her I described (in
the case I’ll tell you about, it was slapping a naughty girl on the
butt).
Meanwhile, even as she claims this, she laughs and becomes excited and
flirtatious. At one point I highlight this and say, “She’s saying ‘no’,
but at some point with a guy she likes, it’s going to be ‘yes’.” If
you’re at all good at reading women’s signals, it’s pretty obvious when
viewing the clip how the idea affects her. Not only does she get
excited in the moment, but her flirting and laughter dial up
dramatically after this incident for the rest of the lesson.
If you’re an old pro, you see a situation like this and grin and go,
“Yeah... girls!” You love it. It’s fun. It’s a big part of what makes
the whole thing exciting.
But if you’re not so good with girls yet, this is likely to be a
point of major frustration for you.
“Why
the living bleeding hell won’t women just say what they want?”
Because sometimes they do.
But other times they don’t.
Sometimes they say exactly what they want. Sometimes they say the opposite of what they want.
How the heck is a guy who’s not good with women yet supposed to
decipher all this?
When you fractionate sexual tension – by breaking tension
yourself, then resuming it later – you make its effect much, much
mightier on her.
Alright, this being my sixth post in my series on sexual tension, we
have already covered the crucial steps. You can view the previous
installments in this series here:
Today we will add some seasoning – my favorite seasoning: fractionation. This post,
therefore, will serve as a very powerful expansion on the foundational
elements
we’ve previously discussed.
Some may consider themselves more or less familiar with my previous
posts, which will help in grasping this material. It would perhaps also
be a good idea to have experimented a bit with the concepts covered in
those posts in order to have built some comfort with them.
What I am going to teach you here is how
to push the sexual tension
to the next level and how you can gain increased control over it.
Now, this post is some topping on the cake – more of a “master
class” thing.
In a jam-packed interview, Alek Rolstad shares how to turn girls on
(big time) in bars and nightclubs. He shows you how to escalate touch
to get her excited. He shows you how to decide WHICH girls to approach
(and which girls not to bother with). He shares his approach to dealing
with “wild card” situations, where random elements appear to help or
hinder you.
“From
what I’ve seen around the only men who manage to consistently bed women
using a normal “person-to-person” frame are men who are particularly
good-looking according to society’s modern criteria. It is as if their
looks takes care of the attraction for them and they can just worry
about having a normal interaction and move things towards sex.
All the other guys (the average-looking ones) being successful
with women are, from what I have seen, those who are able to arouse
women by projecting masculinity and sexuality and be consistent with it
during the whole interaction. They aren’t faking it, they ARE like that.
I know for some of you this is easy if not natural, but for me
this is very very hard. I can open girls using a friendly/warm/playful
vibe but this doesn’t lead me anywhere. We keep bantering until she
either sees me as a new friend or she loses interest and goes away.
Yeah, rarely I have had women becoming sexually interested in me
even if I was just being normal and friendly, but it’s not something I
can rely on regularly like I see good-looking guys do. I need to
structurally change something about myself, and that’s why I chose this
nickname.”
So, this is not going to be an article on how to be sexy. We already
have a bunch of those – here’s a few, for starters:
We touched on the lack-of-sexiness problem yesterday a bit in my
massive troubleshoot post “What to
Do When Your Approach Just Isn’t Working.”
However, I want to give it its own treatment in article form. Partly so
you don’t have to read 12,000 words to find the one paragraph that
talks about it. But also because it needs highlighting – what you don’t
highlight often goes unnoticed.
One of the points we harp on a lot on Girls Chase is the value of
being sexy. When you are sexy,
girls become... pretty straightforward. You have clear sexual value on
offer that appeals to women:
Women who’d like a boyfriend like you appreciate it
Women who’d like a friend
like you appreciate it too
And women in need of sexual release really appreciate it
Most men appreciate sexual value too. They tend to view it as ‘charismatic’ or ‘cool’. Being sexy is a boon all around.
There’s just one problem. It takes time to develop that sexy vibe if
you don’t have it yet.
I think it took me eight or nine months to get mine to the point where
I saw noticeable changes in how women received me. So what are you
supposed to do in the meantime? Scratch days off your calendar and
watch the seasons pass?
Obviously, that’s not so desirable.
Instead, you’re going to have to find some other ways to make girls
want to do things with you.
In our fourth article, we discussed how to maintain sexual tension
between you and your girl. This article will focus on how you can
maintain the sexual tension in light of social context – that is, how
to deal with “wildcards” when you are experiencing sexual tension.
Today I will divulge what I know about how to deal with social
factors
that can interfere with sexual tension, including her friends and the
social world.
Zan Perrion’s book The Alabaster Girl contains masterful
philosophy on women. Here are 5 of its most stand-out points.
There is a beast in this world who walks around in the form of a man.
He doesn’t advertise himself too much, but he has been a constant
yet subtle presence ever since the seduction community came out of the
basement. This subtlety and grace speaks even more to his level of
mastery.
He has been dedicated not to fame, glory, or riches (all of which he
deserves), but to his passion: to be the greatest lover of
women the world has ever seen.
His name... is Zan Perrion.
And if you navigate the treasure room that is his book, The
Alabaster Girl, you will quickly discover that he is in contention
for the title he seeks.
When you first encounter the flow of Zan’s prose in The
Alabaster Girl, you may think you’ve stumbled upon an 18th century
poet’s lost writings.
This is a mistake, and one he addresses in his
videos about the book (and if you have trouble understanding his
sometimes-cryptic language, especially if you’re still inexperienced,
these videos will help clarify his thoughts):
Zan is anything but a hopeless romantic. If you’re experienced with
women, you will see how the dark truths of male and female sexuality
tinge the edges of each page and fill his flowery prose with rustic
realism. He will say something so nonchalantly that if you simply gloss
over it, you’ll miss how darkly beautiful it is, and how true.
Or, if you’re familiar with his old mASF forum postings, you will
know personally how much of a scoundrel he is (a charge he accepts in
the opening pages of his book). Eighty-nine lays in one year,
cuckolding Johnny Depp in a nightclub, dating and living with two girls
who are best friends... he is no saint, and that’s why he knows women
and truly loves them. He embraces both the darkness and the light of
the world, both of the masculine and the feminine.
Once you get to the chapter on his early childhood, you will
understand. You will know his grit, his darkness, and therefore the
true breadth of his light, because of that darkness.
And you will know his deep, abiding love for women. Reading of his
longing for women was like reading my own confessions of unconditional
love toward women.
I could write an entire book on what I learned from his book, but
we’re going limit this post to the first five secrets that resonated
with me upon my now third reading.
